Adventures in Readers' Advisory

Saturday, February 28, 2015

A Million Little Lies: Week 7 Prompt Response

10:54 PM Posted by Sara Silver 3 comments
remember my sister reading A Million Little Pieces when it first came out.  She raved about it, saying similar things to what Oprah said about it, that it is so real and intense.  She noted how poignant the book was, and she highly recommended it to me.  Then I heard something about how Oprah was calling out James Frey for falsifying his stories.  At the time, I thought it was so ridiculous for someone to make up life experiences and try to pass them off as reality, especially in an age where the Internet can expose all.  Yet, I was still intrigued to read the book anyway—after all, what a brilliant writer Frey must be to draw all of those readers in and make them believe his stories.

I never did get around to reading A Million Little Pieces.  I was, however, very interested in revisiting what happened with this book, so I read the Smoking Gun article about it with the intention of writing my response to it this week.  At first I was stunned at how much TSG uncovered about Frey’s past.  Then I realized that all you need is Google and you can figure out just about anything about anyone.  As I kept reading through the article, I just felt more and more embarrassed for Frey.  Surely he anticipated that it would be fairly easy for people to find him out, even though all of his “acquaintances” in the book were either “dead” or “missing”?  Criminal records and police reports don’t lie.

This lead me to wonder why anyone would go through the trouble of fabricating an entire book about their life, if there’s even the slightest chance that their lies could be exposed.  Such a great writer, like Frey, must be intelligent enough to foresee that possibility.  Why risk that, then?  Obviously Frey knew that his book would be a hit with readers, especially if they thought that it was a true story.  People love reading stories of triumph, or by someone they can tell has overcome the past that they’re writing about.  It’s one thing to write a book about a very flawed, troubled character—but it’s more fascinating to people when that character is a real, living, breathing human being.  TSG even pointed out that Frey’s book was rejected 17 times before it was finally picked up; it was only published then because he presented it as a memoir rather than a piece of fiction.  I can understand why a writer would find it worthwhile to write a fake memoir: it’ll be published, the public will love it, and Oprah will promote it because it’s so fascinating.

There’s such an ethical problem here, though.  I’m sure that, somewhere in the world, at some point in history, there has existed someone who lived a life similar to the one Frey wrote about in A Million Little Pieces.  But that life was never Frey’s.  To claim that it was made him a liar, unreliable in the eyes of his readers.  It doesn’t change the fact that people love the story.  I’ve heard/read that people still have continued to purchase/read the book, even to this day.  However, it does raise the issue of whether or not it’s acceptable to publish lies and market them as the truth.  Would it be more ethical if Frey had published the book as a memoir under a pseudonym?  Would that be less of a lie?  Would people have been less offended and hurt if that book had come out as the true story of John Smith and not of James Frey?  I have to wonder where people—readers, writers, publishers, and critics alike—draw the line in terms of honesty in writing.  Personally, I think I’d be more forgiving if the book had been written under a pseudonym because that’s technically a “fake” name, so it seems there’s no harm done, really.  What thoughts does everyone else have about this?



Resource

The Smoking Gun. (2006). A million little lies: Exposing James Frey's fiction addiction. Retrieved from http://www.thesmokinggun.com/documents/celebrity/million-little-lies 


Sunday, February 22, 2015

The Guernsey Literary and Potato Peel Pie Society: Gentle Reads Annotation

9:31 PM Posted by Sara Silver No comments

The Guernsey Literary and Potato Peel Pie Society 
by Mary Ann Shaffer and Annie Barrows

Genre: Gentle Reads (also Historical Fiction)
Publication Date: 2008
Number of Pages: 277
Geographical Setting: Guernsey/Channel Islands, England
Time Period: 1946

Plot Summary: Coming off of the end of World War II, writer Juliet Ashton is about to write her next book.  Having written lighthearted, humorous columns throughout the war, she is ready to try something more serious and is looking for her next subject.  By happenstance, she is contacted by a man from Guernsey (located on the British Channel Islands) who requests her assistance in acquiring books for the Guernsey Literary and Potato Peel Pie Society.  Through a series of correspondences with this man and other Guernsey residents, Juliet comes to discover not only the peculiar beginnings of the islanders' book club, but also that these people might be an intriguing subject for her new book.  Her bond with Guernsey and its people grows, and soon she finds just what she has been searching for.

Subject Headings: Women authors; Book clubs (Discussion groups); London (England)--History--20th century

Characteristics and Appeal:
Pacing -- The pace of this book is leisurely and relaxed.  Letters are sent between characters over the course of about nine months, with time passing between each letter.  Because of this, readers can feel the unhurried passage of time with .  There is no sense of urgency, and this is not an action-packed story.  The plot unfolds comfortably.

Characterization -- There are multiple points of view from several endearing characters of varying importance.  The characters often tell of their situations during World War II, which has just ended, and much of what they experienced was unpleasant and painful.  Most of the characters, however, are very charming and add a light, humorous touch to their recounting of the war.  The warmth and familiarity of the characters greatly add to the appeal of the book.

Tone -- This book is heartwarming and bittersweet.  The characters have endured difficulties because of the war, but throughout the story it is clear that they have overcome them and found normalcy again.  The interactions between characters are cheerful, peaceful, and reassuring.  All problems throughout the plot are resolved, and loose ends are neatly tied at the conclusion of the book.

Read-alikes:
84, Charing Cross Road by Helene Hanff -- A nonfiction, epistolary novel that also explores life in Britain after World War II, sharing a similarly personal feel and heartwarming look at friendships.

Sarah's Key by Tatiana Rosany -- Another fictional account about people living under German occupation during World War II, sharing multiple viewpoints and demonstrating hope after war.

Between Friends by Debbie Macomber -- Another epistolary Gentle Read that explores friendship in a post-World War II world.

The Postmistress by Sarah Blake -- An atmospheric Historical Fiction novel exploring relationships between two Americans, one in the States and one in London, at the start of World War II.


Thursday, February 19, 2015

Promoting Gentle Reads: Week 6 Prompt Response

10:33 PM Posted by Sara Silver 5 comments
There are many patrons at my library that love gentle reads, but they rarely, if ever, check out anything except fiction books.  I think a great way to promote gentle reads with integrated advisory would be through a catchy Amazon.com-style display.  Since gentle reads often encompass other genres, such as romance and mysteries, I think that this would be a clever way to promote the various genres represented with gentle reads, as well as non-book materials.  I would have this sign at the top of the display:

On the display would be 8 or 10 fiction books with Amazon.com-style descriptions next to them.  Then I’d have a sign next to each one recommending an audiobook, nonfiction book, DVD, or other non-book item that is similar to the fiction title.  The display of each pair of items would look like this:


This kind of display would feature gentle reads from different genres, which would draw patrons’ attention to the fact that there are softer books in all kinds of genres without explicit sex, violence, or language. The “People Who Read This Book Also Liked” recommendations are non-book items, which could help patrons to explore stories in different formats they might not have ever tried.  Next to each pair of materials could be a list of more “read”-alikes—more books, DVDs, et cetera that are similar to each fiction book that is featured on the display.  These lists would be arranged by material type and include call numbers for patrons to more easily find materials on the shelves.  This display as a whole would be a creative way to introduce new ideas to patrons of gentle read materials to read (or listen to or watch).


Sunday, February 15, 2015

Kirkus-Style Review: Ella Minnow Pea

9:58 PM Posted by Sara Silver 5 comments





Ella Minnow Pea: A Novel in Letters
Mark Dunn


Ella Minnow Pea is at the center of a literal war of words, and it’s up to her to find a way to restore freedom of expression to the quirky island of Nollop before language disappears for good.

Named after Nevin Nollop (creator of the famous pangram “The quick brown fox jumps over the lazy dog”), the island of Nollop is situated off the coast of South Carolina.  Its citizens idolize the island’s namesake—they have even memorialized the man and his immortal sentence through a statue.  This pleasant place is infatuated with language and letter writing, and rightly so.  However, the serenity of the idealistic and linguistically limitless islanders is threatened when, one day, the letter “Z” falls off of the statue.  The island’s councilmen rule this a metaphysical message from Nevin Nollop himself: the islanders are to use the letter “Z” no longer, lest they be banished from the island forever.  Letter by letter, the rest of the alphabet begins to fall from the statue, and Nollopites are forced to eliminate each one from their vocabulary.  In an exchange of letters, Ella, her family, and their neighbors cleverly try to navigate their evolving language as they realize the tyranny of their government’s demands and seek to stop the linguistic lunacy.

This very witty epistolary novel is simultaneously a comical exercise in wordplay and a compelling tale of a community attempting to overcome its leaders assumed total authority over its members’ lives.


Publication date: October 2002
Page count: 208pp
ISBN: 0-385-72243-5



Read & Review: Week 5 Prompt Response

5:26 PM Posted by Sara Silver 1 comment
I looked at two reviews of the eBook The Billionare's First Christmas by Holly Rayner.  The first is a review by a customer on Amazon.com.  This reviewer gives a very basic plot summary and the customer's personal feelings about the book.  Her review is based solely on how the book made her personally feel.  The end of the review is a rambling bit about a potential sequel, which has nothing to do with the merits of the book being reviewed.  The other review is from a blog, and it is even less helpful.  The reviewer gives really generic descriptions of the book ("I like the atmosphere of the whole thing"), and I can't really follow what she is trying to say.  She doesn't explain much about what she liked or disliked--in fact, she contradicts her feelings about the book several times.  (First it's "too Christmassy" and then the Christmassy aspect is "just the right choice" for holiday reading.  The book is described as "warm and cozy," yet the reviewer finds the plot to be "odd.")  This second review doesn't tell me much about this book at all.

I don't find either of these reviews for The Billionaire's Fist Christmas to be whatsoever reliable.  Neither one is grammatically sound, so I can't really take them seriously.  Also, neither gives enough pros or cons for someone to make a truly informed decision about reading the book.  This book is not even Romantic Suspense.  Books in the Romantic Suspense genre are defined as "[blending] Romance and Suspense so completely that it is only possible to consider them as their own genre" (Saricks, 2009, p. 35).  From what these reviews say, there's not a single element of Suspense in this book.  "Beautiful, clean" and "warm and cozy" aren't terms used to describe the Suspense genre, and you certainly wouldn't use them to describe Romantic Suspense.  Saricks (2009) even says that "a sense of uneasiness prevails even in quieter moments and affects the tone" of Romantic Suspense novels (p. 37).  If the only reviews that exist for this book are like these two (incomplete, inaccurate, subjective), then I probably wouldn't get this book for my library.

I also looked at some reviews for Angela's Ashes by Frank McCourt.  These reviews are professional and complete, giving short plot summaries, objective thoughts about the book's content, and a little of the reviewer's personal feelings.  They make me think that I should definitely add this book to my library's collection.  The reviewers use such strong adjectives to describe the book: powerful, exquisitely written, extraordinary, almost impossible to put down, astonishing, vivid, wonderfully readable.  It seems like a no-brainer to include this book in any library's collection.  It's popular for a reason, and all kinds of people would love it, according to the reviews.

It's not fair that Angela's Ashes has several useful reviews, but that The Billionaire's First Christmas gets very little attention.  If libraries are looking to reviews to develop collections (and they are), then they will probably skip over the vast array of obscure or little-known, yet brilliant, books that are out there.  Just because something is popular doesn't mean that it's the best--libraries could miss out on books that their particular patrons would love, just because reviewers don't seem to care enough about those books to give them a serious look.  Just as I find it inappropriate for little-known books to get less attention than popular ones, I also find it inappropriate for review sources to never print negative reviews.  Not every book is fantastic.  Sometimes the writing is bad, or the plot goes nowhere, or the length is prohibitive to enjoying the story.  There's nothing wrong with pointing out negative elements of a book, especially if a reviewer feels that other readers will dislike those elements as well.

In fact, I actually like to see a discussion of the bad parts of a book when I'm looking at reviews for personal reading.  I rarely read a book without looking at reviews first, and the main source I use is Goodreads.  Many of its users are well-read and give fair critiques of books.  If they don't give a fair review, then they at least explain in detail why they didn't like a book, rather than just telling readers that the book was terrible.  I am often skeptical about reading popular books, so I want honest reviews of them--seeing what other readers hated about a book helps me to determine whether those elements are dealbreakers for me, too.  I used to pick books to read based on whether or not I liked the cover...this usually worked in my favor, but sometimes books with compelling cover art would be real duds.  I got into the habit of reading reviews before going book shopping so that I could avoid wasting my time starting books I'd hate halfway through.  I think that everybody should use reviews for personal reading, even if you just read one short one.  I've found that the blurbs on book jackets can be very deceptive, so reviews are much more useful in helping you to decide whether or not to read something.  Goodreads and Kirkus Reviews are two of my favorites because, in general, they offer sufficient plot summaries without ruining any surprises (Goodreads reviews often have "spoiler alerts" so you don't read spoilers if you don't want to), and they include a bit of the reviewer's personal take on the book.  I especially like Goodreads because you get an abundance of mixed reviews, explaining various parts of a book that was loved or despised, and I feel that this is the most helpful for me to be able to really decide if a book is for me.


Reference
Saricks, J. (2009). Romantic suspense In The readers' advisory guide to genre fiction, second edition (pp. 35-49). Chicago: American Library Association.

Saturday, February 7, 2015

Secretly Shopping for a Good Book

10:43 PM Posted by Sara Silver 3 comments
I visited a large library to which I’d never been before with the intention of getting recommendations for a good mystery/thriller.  I didn’t see any signs for readers’ advisory, but this library does have several fiction and nonfiction book lists.  The library building has three floors, so I grabbed a map before I went exploring.  There is a Popular Materials section on the first floor with new materials and Fiction, and Reference is on a different floor.  I figured going to the Popular Materials desk would be my best bet, and I was right.  There were two people at the desk at the time I was there, and they were both friendly and welcoming.  As I approached the desk, one of them, named Beth, smiled and asked how she could help me.  Following is a rough transcript of the beginning of our interaction:

Me: Hi!  I was just wondering if you could recommend a good book.

Beth: Certainly.  What kinds of books are you looking for?

Me: I’m thinking I want to find a good mystery or thriller.

Beth: Can you tell me a book you’ve read recently and liked?

Me: I really liked Gone Girl.  I read Sharp Objects, but I didn’t really like it at all.

Beth: Okay, let me find some read-alikes for Gone Girl.

She then looked on Novelist for read-alikes and showed me a list of titles.  She clicked on a few and read short plot descriptions, and she asked if any sounded interesting.  I said that a few looked promising; then I asked if maybe she could find me a mystery/thriller that was a little slower paced then Gone Girl.  She then explained that thrillers tend to be faster paced and mysteries are slower, so she would look up some popular mystery titles, since the Gone Girl read-alikes were thrillers.  She then looked up Edgar Award nominees for 2015, explaining what the Edgar Awards are, and showed me the webpage.  She wrote down the web address and then grabbed the library’s book list for mysteries for me as well.  She gave me short plot descriptions for a few of the titles that I thought sounded interesting and asked if I needed help finding any of them on the shelves.  (Since I don’t have a library card at this library, I said I’d take the information home to look at the rest of the titles and maybe check one out later.)  She asked if I needed help with anything else, I said I was good, and then we concluded the interaction.

I was sort of pleased, sort of displeased with this experience.  Beth did seem to feel that the transaction was worthwhile because she spent time finding multiple lists of title for me and describing ones she thought I might enjoy, rather than just handing me the library’s mystery book list and leaving it at that.  She seemed genuinely interested in helping me find a good book to read.  The only downside to the interview was that she didn’t mention appeal factors or “follow up by asking if [I was] in the mood for something similar or perhaps something different” (Chelton, 2003).  I prompted the librarian for slower paced books because it seemed that she wasn’t going to ask about my appeal factor preferences, and even after I brought up pacing, she still didn’t ask about any other appeal factor preferences.  There were specific reasons that I liked Gone Girl but hated Sharp Objects, even though they’re by the same author.  I thought the librarian might ask me what those reasons were—that my mentioning that would be an easy segue for her to bring up appeal factors—but it didn’t happen, unfortunately.

Beth did have good customer service skills, knowledge of RA tools, and familiarity with the library’s collection, which helped make the experience positive.  As I said, she gave me multiple lists of titles to pore over, which is great because I like having lots of options.  Honestly, I’ll read pretty much anything in the mystery/thriller genres, so I wasn’t personally very put off by the fact that she gave me a bunch of different recommendations without focusing on appeal factors.  However, I think that this wouldn’t be so helpful for other patrons who are pickier about what they read.  Beth seems to have had at least some RA training, but RA interviews with her patrons would probably be more productive if she asked for appeal preferences.



Reference
Chelton, M. K. (2003, November 1). Readers’ advisory 101. Library Journal. Retrieved from